As oral history and podcast interviewers around the world look for remote interviewing solutions for conducting oral history interviews during a pandemic, a lot has changed about the way we conduct oral history and our notion of best practices.…
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In my mind there were three tiers of portable audio recorders: the low-end (under $400), the mid/high-range professional ( $401-$1,499), and the super premium recorders (more than $1,500). For years, this tripartite structure worked quite well. If you were…
This is the third post in the series Microphones, Oral History, and that “Radio” Sound in the Field about the microphone options for trying to achieve “broadcast quality” recording when not in a studio. The first post in the…
This post is about the Nunn Center’s release of the OHMS plugin suite for Omeka that integrates OHMS (the Oral History Metadata Synchronizer) and Omeka in several powerful ways. But first, some historical context. A BIT OF HISTORY When…
I have always tried to record oral history interviews in the field that were broadcast quality and sounded like studio recordings. I want to achieve a sound that has minimal ambient noise and gives the listener that close-mic’d sound…
A brief video documenting our journey to have Bourbon whiskey established as a Library of Congress Subject Heading. To quote the post from the Nunn Center’s blog, “Catalogers and metadata specialists around the world were forced to use the…
As the Director of the Louie B. Nunn Center for Oral History at the University of Kentucky Libraries and the principle creator/designer of OHMS (Oral History Metadata Synchronizer), I am a strong advocate for enhancing the way we provide online…